Alexander Cuntz, Matthias Sahli, 28 April 2021

Appropriation artists incorporate borrowed images from different sources to produce new compositions. These artists not only risk infringing copyright, but also leave intermediaries such as auction houses at risk of litigation. This column considers changes to the secondary market for appropriation art in the aftermath of a 2013 decision by the US Court of Appeals. Providing quantitative evidence of how the ‘fair use’ defence has affected the secondary arts market, the column questions whether the existing framework promotes or hampers innovation in the art world.

Peter Baldwin, 16 April 2016

Should copyright assure authors and rights holders lasting claims, much like conventional property rights, or should copyright be primarily concerned with giving consumers cheap and easy access to a shared culture? In this Vox Talk, Peter Baldwin – author of the book ‘The Copyright Wars: Three Centuries of Transatlantic Battle’ – outlines how America went from being a leading copyright opponent and pirate in the eighteenth and nineteenth centuries to become the world’s intellectual property policeman today. He describes a ‘Californian civil war’ over open access: between the content owners in Hollywood and the high-tech companies in Silicon Valley.

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